17.11.14

The Wayne Factor

In the beginning of the 20th century Sigmund Freud proposed a theory in which a man would subconsciously want to kill his father and have sex with his mother. This was called the Oedipus Complex, named after the famous myth of Oedipus Rex, and was a cornerstone of psychoanalysis and, in turn, a building block that makes up contemporary society as informed through pop culture. I believe that we have entered a new paradigm, that in which a man wants to both be Batman whilst having his father as Batman. This is called the Wayne Factor.

The Wayne Factor is a more concentrated idea of Freud’s in that it examines the particular personalities of people who divulge in media starring Batman. It is estimated roughly 95% of the American population know who Batman is. Unlike Jesus or even Father Christmas, Batman transcends cultural and theological borders. Part of Batman’s success is in his name. Without even seeing him, you can image a man that is, at least in some way, like a bat and it is this whimsical image that makes him well known. With billions spent on superhero films every year, Batman is perhaps the most popular with Joe Q. Public who prefers his humanity moreso than that of the Ubermensch from Krypton, Superman. Iron Man and Captain America are both human and therefore popular, and so far it appears as though the superhero films contain relatively little superpowers when compared to their comic book counterparts. Instead they are films about men struggling for identity and deciding on becoming a hero, and exploring that theme ad nauseum. Yet who can really say they identify with either being a hero or wanting to be heroic? It is less the concept of what heroism means to the modern man than it is that these heroes can be idolised as potential saviours for those that need it. This anxiety stems from wanting to be rescued by one of your parents as a child and them failing you, which is one of the first steps in separating the concept of a parent from the person that is your parent. The conceptual parent then becomes an idol in which faith is applied to, which is common in religious people. I suspect religion itself came about due to the strong biological link between parent and child brought about by the helplessness of newborns compared to that of almost every other animal on the planet. In the life of an adult a child is a novelty, although to a child the parent is godlike. If a parent should fail their child, the child will then seek a new figure. For thousands of years this desire was manifest in a pantheon of gods. Now it has become Batman.

Consider Batman. Upon the death of both parents, billionaire Bruce Wayne trains all of his life and dons an animimal costume in order to fight criminals from a working class background. It is the costume itself that makes Batman who he is. This costume or ‘bat-persona’ is in order to mask the true identity of the wearer and so, by becoming anonymous, allows the potential in which Batman could be anyone. Fans of Batman often like to imagine themselves as Batman, perched on a tall building dressed in a cape, their muscular bodies protected against the battering rain by a second skin of body armour. At the same time they may imagine themselves victims of crimes and Batman arrives to save them. In the phantasy of the films this is Batman’s most useful skill, his ability to save people and in doing so he becomes a paragon of masculinity. If we consider a few attributes that we would consider masculine, such as physical strength, emotional resilience, fecundity and so on we can also see that these are attributes desirable for a father. It is the parental attributes of Batman that people probably find most appealing, hence his popularity amongst those who have difficult relationships with their own fathers. They love nothing more than settling into a folding-down seat with a box of popcorn, watching Batman loom over them in glorious 3D for hours at a time, trying to ignore the desperate need to be loved by an older man.

This brings us to the psychosexual elements of Batman. It is a common idea that Batman is a gay man, having sex with Robin at regular intervals in the batcave. Why not? I feel as though the idea of Batman being gay is so intrinsically tied to the metanarrative of Batman that this leads to a simple conclusion. The Wayne Factor of a person shows their inclination to desire sexual intercourse with their father whilst also being their own father, in order to have sexual intercourse with their mother. Also that during these acts, both parents are dead. The incestuous love triangle is complete and in the centre is Batman,
slowly rotating,
face hidden in the shadows,
his body pulses.