Hundreds of thousands of books were retrieved from a salt mine, kept in a sodium stasis state until being arranged in alphabetical order on the shelves once again. Such rare books include works by William Shakesbeare, an 8th century book on astronomy, an unpublished Simon Beckett play titled ‘The Bone Sharks’ and a complete Florentine Codex. Visitors can happily pluck them off the shelves and leaf through them hungrily, but all of the books have also been scanned by lasers and converted into a pdf file specially designed for Manchester Central Library. In fact a large portion of the library is digital; the entire recorded history of mankind exists in large underground databanks that can be accessed over wi-fi and printed out at a new publishing house found in a distant wing of the library.
Upon entering the Great Hall you cannot helped but be brought to a standstill by its magnitude. Pillar after pillar of green marble line the room, stretching upward to support a domed ceiling that emanates a gentle light over all. Marble statues of deities connected with knowledge are interspersed between the enormous pillars, each of them have the quality of highly polished pearl. The glass floor is made up of a series of interconnecting black triangles, each give the impression of standing above infinity.
Thick wooden doors open into the grand Reading Room, an enormous circular room with tables and chairs arranged in a pattern based on the Fibonacci sequence. It is entirely silent. Walking through people occasionally look up from their book and watch you walk past, there is an air of paranoia around. I am acutely aware of the sounds inside my body. The gurgles of stomach acids, the sighs of the kidneys, the unsticking of eyelids during a blink. I make my way through another door and along a sweeping staircase running around the exterior of the library. There are replicas of author’s desks now and then, in which visitors can access all the books they wrote as well as the books the author had read. Oak doors lead into a room lined with shelves, holding roughly two million books. If one was to sit and read every book in this room it would take roughly one million years.
Clustered around the large halls are secondary rooms. An Italian restaurant is somewhat surprising, though a logical extension of the Renaissance themes seen around the Library. Frescos are painted on the wall lit softly by candles. The next room is the archives, roughly six gigabits of information contained on special cards that can be entered into a computer and read at a leisurely pace. The latest computer gaming systems are also here, the Sega Megadrive and Dreamcast consoles linked up to HD monitors. A tree grows, tendered to daily by a robotic gardener that adjusts artificial lighting and hydroponic systems. Overall one gets a sense that a library doesn’t have to just be a place poor people go when they don’t have a telly. It can be a place of inspired learning. There is a recurring phrase carved into every single piece of skirting board in the building. ‘Dulce Et Ego, Cor Domorum Veni’.
As one climbs the staircase more rooms can be accessed. An art gallery, an operatic theatre, a three dimensional mirror maze, even a vivarium all can be found in the Manchester Central Library. Once one reaches the top floor they are treated to a 360 degree view from the roof of the library. Most of Manchester is obscured by multistorey budget hotels and empty office space, but the roof is nevertheless impressive due to the bubble formed that keeps visitors dry. The bubble is constantly collapsing and reforming as a wave of atomic energy is projected from the rooftop generators through water molecules in the air.
Overall Manchester Central Library is a 21st century take on what a library is, with reference to multiple zones of time, cultures and architecture. Sections of the library are unbuilt, leaving gaping voids between walls in which one can glimpse the libraries previous incarnations. Other sections are overly built; huge chunks of rock can sometimes be found obscuring a corridor or clustered overhead like a nest of wasps. It is a pastiche of the human brain, the new god in the new millenium. I am eagerly awaiting its closure in fifteen years for an entirely new refurbishment, perhaps a simple holograph attached to the side of a drinking fountain, or a first person shooter in which one can get the 20th century American literature DLC at $14.99. Nevertheless, irregardless, at the end of the day, ad nauseam.
