Showing posts with label gurn. Show all posts
Showing posts with label gurn. Show all posts

21.7.25

Nu-Metal Rural Revival Preview

I was cruising around Iowa, listening to the album Iowa by Slipknot. Twenty four years had passed since its release, and though I preferred Mate. Feed. Kill. Repeat., the tracks took me back to the year the towers fell. I wondered what music would be the soundtrack to the next American disaster. As the Hyundai Sonata parked up at some traffic lights and I was on my second play of the album, there was a knock at my window. I look over. There's a teenage girl there.

“You listening to Slipknot?” she yells. I nod and she throws the devil horns hand sign and sticks her tongue out.

“You like them?” I yell back, refusing to turn the music down.

“Yeah! They inspired me to start playing!” she says, motioning to the guitar case on her back. The traffic lights turn green. But before I drive away, I start getting an idea.

Ten minutes later we’re at a diner, talking excitedly about music. Everything from rock to metal to sludge, Shannon knew her stuff.

“You thought about putting a band together?” I say.

“I tried, but round here nobody likes the music I do.”

“Look. I was in a group once, we were called The Boys. I learned about the music industry, but I always wanted to start a nu-metal band. I think we should team up, what do you say?”

“Goated.” She says. We shake hands.

 

A couple of hours later we are sat in a disused garage, auditioning band members that have queued round the block. There’s a few amusing characters, such as a dork that plays the keyboard, a big woman who sings opera and a guy with a dog that rolls a drum around on the floor. As the auditions go on we get exasperated, I hit myself in the head with a clipboard. It had seemed the whole exercise was futile. And then, some other teenage girls arrive. One plays the bass in such a funky, elaborate way that I start nodding my head. There’s another that plays a 180bpm Amen Break that has Shannon and me dancing on the table. And last, but not least, there comes a nerdy girl with glasses and pigtails. Shannon rolls her eyes and I check my watch.

“What’s your name?” I say. She mumbles something. Shannon and I look at each other as if to say ‘oh boy’, but then she repeats herself.

“Magdalena Cruffin. I’m a singer.” She says.

“Go ahead.” Says Shannon, checking her clipboard. This was the last audition of the day. We’re muttering to each other when Magdalena starts singing an acapella version of Freak On A Leash. Her voice has such power and raw emotion that we are floored.

“I think we found ourselves the lead singer.” I say, raising my eyebrows.

 

Later I have arranged the new band together at Shannon’s house. Her mother keeps bringing in bowls of snacks. At first she was a bit wary of a middle-aged guy wearing a mask of a normal man hanging out with her daughter, but after I explained to her what we were doing, she seemed to get on-board.

“We’re going to start a band. It’s called New Metal.”

“Awesome.” She says. “I always knew my little girl was a rocker! Uh-huh-huh-huh” she goes, impersonating Elvis. Shannon rolls her eyes.

“Mom! That’s so cringe.” She says. I throw a plastic bag onto the table.

“I got you all a present.” I say, watching their reactions. At first there is confusion, then delight. I had got them all scary Halloween masks to wear.

 

We have our first practice session in the garage, and to tell the truth, I was a bit concerned. Individually they had a lot of skill, but when they played together, it sounded awful.

“Stop, stop, stop. Jubi, you’re the drummer, you need to keep time for everyone else. Larana, quit playing those solos. Mags, you’re great. Shannon…uh…how can I put this. You need to get better.” I say. Shannon huffs.

“I can’t see what I’m playing with this stupid mask on.” She says, jabbing at the Pumpkin-head mask around her head.

“You don’t need to see. You need to feel. You’re making music, not baking a cake.” I say. We’re about to keep arguing but her mother rushes in.

“It’s your dad. He’s had a heart attack! And a stroke!”

 

Half an hour later we’re all gathered around the hospital bed, with Shannon clutching at her father’s hand.

“We’re keeping him in a medically-induced coma.” Explains the nurse. Shannon brushes her father’s moustache. Her mother is talking to a doctor outside, the conversation seems stressful. I look round at the rest of the band, everyone except Shannon were still wearing masks. I go outside and talk to Shannon’s mother.

“The medical insurance says they can’t afford to wake him from the coma. What should I do?” she says, crying. I hug her. Then out of the corner of my eye I see a poster. Its advertising a Battle Of The Bands, the top prize is $50,000.

“I got an idea.” I say.

 

That evening we’re backstage at the Battle Of The Bands. There are other acts here, a man with an iguana on his shoulder plays a lute, there’s some twins that are carrying a harp around. On stage I find out Shannon’s ex-boyfriend is the lead singer of a pop-punk band and the audience seem to love it.

“You guys are up next.” Says the stage manager.

“Okay you guys, get ready. Wait a minute…where’s Magdalena?” I say.

“I saw her go out back.” Jubi says. I run out of the back of the event hall and find the lead singer on the floor. Theres drugs all over the place. The rest of New Metal find us as I try and shake Magdalena by the shoulders, as that sometimes seemed to wake unconscious people.

“She’s OD’ing.” I say to the others.

“No!” they cry, kneeling down.

“Hang on, I have a trick Kid Rock's roadie once showed me.” I say, finding a syringe on the floor and sticking it in my side

“What are you doing!?” Shannon says.

“The adrenal glands are just on top of the kidneys. This should sort her out. Step back everyone…” I say, wincing as I suck out pure adrenaline from my body and hold it over Magdalena’s heart. I look around, raise my arm up and stab down as hard as I can. Magdalena sits bolt upright, gasping for air.

“Mags you idiot! We thought we lost you!”

“I just needed something to take the edge off. I’m sorry.” She says as her band mates hug her.

“Are you guys ready or what?” says the stage manager, appearing at the fire exit. I turn to her.

“Oh we’re ready alright. C’mon girls, let’s show them what we can do.” I say.

 

The stage lights dim. The crowd goes quiet. There’s anticipation. Then the music starts playing. A spotlight shines on Magdalena, wearing a Werewolf mask.

“Here we go again motherfucker!” she screams into the microphone. The band then play the unofficial anthem of Iowa, People=Shit. The crowd goes wild. As they play, I watch from the side of the stage and a little bald guy comes up to me.

“Hey, I’m Jimmy Iovine, owner of Interscope Records.”

“So?” I say.

“Are you the bands manager?”

“Get the fuck outta here Jimmy. Our music isn’t for sale.” I sneer at him. Meanwhile the band finish the track and the crowd screams and claps. The three judges at the front of the stage all hold up the number 10. The band can’t believe it. Corey Taylor comes out to present them with a cheque for $50,000. I’ve organised it so the hospital has brought Shannon’s dad on stage, where they bring him out of the coma. He sits up, looks around and blinks a few times.

“What did I miss?” he says. Everyone starts laughing.

 

Its close to midnight as I’m packing some stuff into the back of my Hyundai.

“We were going to go celebrate. You coming?” says Shannon.

“Ah, I got to hit the road.” I say. The rest of New Metal gather round.

“You can’t leave! We’re just getting started!”

“When I got to town this morning, I thought to myself, I wonder what the future of music is. But now I know I’m looking at it. You did well, you should be proud of yourselves.” I say. The bandmates all look to one another, feeling uplifted. Though they were a rag-tag bunch of underdogs, somehow they managed to come together through the power of music. Just as I’m getting into my car, Jubi grabs my arm.

“Where are you going? At least join us for Prime and Nachos.” She says.

“Ah, the open road is calling me. There’s other teenagers out there that also need to start playing music together and win Battle Of The Bands contests. And the only way you can win is if a middle-aged man sees their potential and fills them with confidence whilst overcoming his own past.” I explain.

“Oh.”

“But before I go, I got you all a present.” I say, a smile on my lips. I reach into the backseat and hand them a gift I’ve (badly) wrapped in newspaper. “See you later, New Metal.” I say, flipping the devil horns as I drive away, leaving the band standing in the middle of the street, unwrapping the gift. It’s a black and white framed photo of my rap group, with a message signed in gold pen.

‘We all got left behind, we let it all slip away’ it reads. They cry, watching the rear lights of the Hyundai Sonata drive away into the night and out of their lives.

16.5.25

Jonathan Jones Interview: Britain's Greatest Art Critic?

I spark up a blunt of Nettle Kush in the gallery. It is opening night and the audience immediately turn on me and my foul drug spliff I chong on the dancefloor. I see my Nemesis. My Enfant T'errible. Jonathan Jones, art critic for The Guardian since 1999.

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I lock eyes with Britain's second greatest art critic. 
"JJ you son of a bitch. What do you think of this art?" I say, going over and crushing his hand.
"Well if you ask me its typically pedestrian." he says, avoiding all eye contact. 
It is as if his pupils were magnetically opposite to my own gaze. Had this guy been reading too much?
 <o> <o>
I snap out of it. Jonathan Jones the journalist. The art critic. The scholar. The landscape painter. 
Here he was, in my domain, like some old dog leaking piss from his bladder and thinking its marking its territory. 
I grab a plate of pickles from a passing waiter, beginning to munch on their
Vinegary crispness. 

“I saw you at the Warhol gig recently. That shit was awesome.” I say, sucking an olive off a cocktail stick.

“Well if you ask me it was absolutely awful.”

“Jonathan. Bubby. Why are you writing about art when you don’t even like it?”

“Um, no, actually I do like art. I have standards and if you expect an art critic to not bring that to the table then why the hell am I getting paid £856,000 a year to share my views to you, the guardian readers.”

“Guardian readers can kiss my ass.” I say, taking a huge hit from the blunt and passing it to Jonathan, who then also takes a triple hit and gets the hiccups.

“Look, I know you think we’re enemies, but actually we’re best mates.” Johnathan says.

“Jonathan, stop shitting on me. We are enemies. We are dualists, each of us carrying a uzi filled with 7.62 magnum armor-piercing rounds, fighting for the future of Art in this country.” I say, taking a final hit from the blunt before docking it out in a glass of champagne.

“What?”

“Draw.” I yelled, pulling a gun from my inner pocket and pointing it at his forehead.

“I don’t have a gun!” he yells.

“Neither do I.” I say, gesturing to the so-called gun in my hand. It was actually a dried lobster, spray painted black. “I’m just fucking with you.”

Jonathan Jones Journalist laughs.

“Now that’s what I call punk!” he says, flipping his fingers into the Devil Horns.

It turns out all along, me and my worst enemy had a lot in common. We spent the next few hours comparing scars, aligning tattoos. I read his palms under a waxing moon. As the sun crept up behind the hills, we were listening to Thelonious Monk and sharing a bottle of Jacob’s Creek. We felt like explorers.

In quite a stunning moment, Jonathan Jones Art Critic Guardian stood upon a dry stone wall with the first beams of the morning lighting his face. He then delivered the following speech:

“Brothers of this foul nation! The sons of a fetid Pentecost. We rise up, our mouths open and ready to bite at our enemies. Ultimate guerilla warfare is to act like fast zombies, chasing people down and eating them. Like, literally.” he said. I clapped a few times, listening to the morning birds wake around us. Sometimes it was worth going to see art after all.

 

27.2.14

Atlas Sands



I walk. I walk and I walk and I walk. From the airport runways to the heart of the city centre, Manchester is one of the best places for any keen hiker to explore on foot. There are mile after mile of roads in Manchester, I estimate there is enough tarmac for a single road to run along the entire coast of England. And on the side of these roads, more often than not, is the pavement. For where would we be without pavements? Perhaps the unsung hero of Manchester, its pavements are walked on daily by its entire population and on which lost items can be found, promises can be made and even a few secrets kept. Anything can happen on these mysterious walkways, five and a half feet wide and infinite in length. In Los Angeles there is a pavement with the hands of famous celebrities embedded into it. In Manchester the pavement is covered in the bloody handprints of gunshot victims. I went to see what kind of pavements I could encounter on a standard day of exploration.

Before long I found myself stranded on the embankment of the M62, the traffic rushing past me on both sides. The air around me moved quickly, filled with the smell of diesel and rain water. I shut my eyes and found myself in a

death dream

falling forward, clutching at my left eye. It had gone cold. Stumbling blindly I reach a concrete bridge and begin to scale it with my fingertips.
"Gone gone samba, rolled rick potassiums and inobstruble magnificents." I mumble to myself. A sacred mantra I had picked up from the last necromancer in Berlin. Eventually I managed to pull myself upward to near safety and began the long walk home, pulling fragments of teeth from out of my tongue, musing, simply musing on the bare bone facts of life. What if instead of people we were pavements? I know, I know, it sounds crazy, I know. Okay? But just hear me out here~

~ quantum physics ~

~ I hope that adequately stated my point, but though even irregarding the fact that the pavements were a source of trouble in our lives, it is possible to empathise with architecture at at least an atomic level.

12.4.13

Thatcher's Funeral

After the death of Baroness Lady Margaret Hilda Thatcher on the 8th of April a committee immediately set about planning her funeral, as is the tradition after somebody's death. Thatcher was a controversial figure in British politics, dividing opinion during life and after her passing, though both sides would agree that the late ex-prime minister will be remembered for her actions and fashion sense. Nicknaming herself 'Iron Woman' due to her magnetic personality, Thatcher was an important figure throughout the eighties. She smashed the unions, brought in millions from taxation, saved English territory from Argentinian invasion, allowed people to right to buy their own houses and was an inspiration to a generation of women. She was also an old lady, who had a family, and it isn't fair to speak badly of the dead. Her funeral therefore will try to sum up her life succinctly, referencing the various trials and tribulations she endured in order to make Britain great once again.

The government had ring-fenced 200 million pounds in case of the late lady's passing, suggesting that it would cost more in the long run if they didn't give Maggie a proper burial. I was lucky enough to be invited along to a special preview event that would detail exactly how the two hundred million pounds would be spent in order to make sure that she was treated with the same respect she demanded whilst alive. Liberal Democrat leader Mick Clegg stepped onto the podium at the front of the hall. After the ice-breakers and toasts he began to describe what we could expect next Wednesday.

The funeral will start at 10 a.m in the morning. Thatcher will be contained in a special blue coffin covered in flowers that will be carried through the streets of London in a horse and carriage. Her family will follow behind, each riding a horse, then other various vehicles with important mourners. The prime minister and his friends will ride in a hearse for instance, The Queen will be in a limousine and Boris Johnson will ride a black bicycle. Behind these will be various soldiers and police officers dressed in full combat dress, overhead Prince Harry will hover in a helicopter.

The theme of the funeral will be Margaret Thatcher, as that who is being buried. The first of these special themed segments will begin just a few moments into the parade, with a green grocer holding a baby aloft to represent Thatcher's primordial origins. Milk will be squirted onto the funeral carriage by children picked from local schools who will then take the baby and hand it to Kenneth Branagh, playing Denis Thatcher, her millionaire husband who rescued her from being working class. The baby would then be transformed through a series of short vignettes into the woman who would go on to win the leadership of the country. This position would be played by the famous actress Meryl Streep, who'd act out her life whilst her body continued on it's path.

The first trial of Thatcher is the Falklands War. London Philharmonic Orchestra will provide the soundtrack for this section, in which a boat sculpture sailing away from the procession on the Thames estuary will be fired at and sank. A balloon representing the soldiers will gradually be inflated until it resembles Simon Weston. The veteran himself will then emerge from the crowd and join the procession, playing the saxophone every now and then. Afterwards comes the second trial of Thatcher, the miners' strike. Thick coal dust will be dispersed from the Baroness' carriage, submerging the mourners in a danger smog.

After having emerged through the danger smog, the next step was the way she dealt with the IRA. After a few fireworks being detonated around the horse and carriage an Irishman especially starved for the event will be released and is likely to begin to look for food. Funeral organisers have paid attention to these chaotic characters scattered throughout the parade, hoping that they add an element of excitement for mourners as well as acting as a kind of public arts thing.

At this point the coffin will be removed from the horse and carriage. The horse itself will be lead slightly away from the rest of the festivities and put onto a bus heading for Oldham. Meanwhile in a startling twist the coffin will be opened and Margaret Thatcher's dead body will be hoisted out by leading politicians and walked up the front steps of the cathedral. At the top of the steps will await David Cameron who will accept the body into his arms and give her a final goodbye before she is taken inside for the final stages of the funeral.

Inside the cathedral will await Jeremy Clarkson, Ben Milliband, Tony Blair, Prince Will, Kate Middleton, Jim Davidson, Nelson Mandela, Mikhail Gorbachev, Nancy Reagan, David Beckham, Theopold LeStranz, Walton Goggins, Clint Eastwood, Paul Merton and other famous celebrities. All of them are encouraged to cry as Thatcher is taken through the central aisle. Prayers, songs and quotes will be played for guests as Thatcher is brought closer towards the front of the cathedral where a small crucible will await her. The head of the church will say something before Thatcher is delicately lowered into the pot at her feet. Inside contains ethically sourced molten iron for her body to be dipped into, creating a Thatcher-shaped statue made of rapidly cooling metal surrounding a core of biological matter. It is thought that her tomb will remain safe for the next one thousand years.

24.9.11

The Love Of Itself

Half spilled full on chrome arbius twinges in the doorway, it's tendrils like icicles caught the orange and yellow lights flicking on end after each other in a chase, the race of a self-conducting megaparticle occupying beyond the dimensions through the traces of the neutrinos falling like raindrops, unzipping. A circle, circular. A self righting balancer dancing across the high planes, the sky above them lit up with the light thrown from hundreds of different cosmos. Elaborate patterns are just beyond the reach of sight. The periodic table, the human genome, the theory of special relativity, the computer. Logic. A scientific experiment is something which can be recreated, history repeating. And repeating.

Crumbling variations of wax faces pouring with fake blood as the bodies tumble onto the foggy moor. The director nods and the film is released straight to DVD, as is the case with that particular type of film. Cyphers common throughout the world are the blockbuster laser activated info-disc slot into the alloted player. Sleeper agents sleeping urgent.